LET’S WORK
together
Whether you’ve typed “THE END” – or you can’t get a single word on the page – I’m here to move your story forward.
I'm looking for a
few brave artists
It’s an act of courage to put words on the page. It’s fearlessness and fortitude that got you from the first pages to last. You battled self-doubt, imposter syndrome, and your constantly confounding word processing software. None of that comes close to how hard it feels to share your work with another person. You’re a super hero.
You’re a writer.
I promise to make the next steps on your journey as painless as possible. This is the part of the story where you get to relax.
01
developmental editing
If you’ve typed “The End” on your story, you may be ready for a Developmental Edit. As your editor, I’ll read your manuscript with an eye towards character, story, structure, pacing, plotting, and world building.
I’ll mark up your manuscript, and create a comprehensive memo explaining my notes and making suggestions for future drafts. I will never over-write you, and I will never call out a problem for which I don’t also offer a suggestion or solution. Once you’ve looked over my notes, we’ll set a Power Hour to answer any questions you might have, and create an actionable plan for your next draft.
$.04/word
Includes Power Hour
CONTACT
02
line editing
I provide line edits for writers whose drafts have already undergone earlier edits for big picture items. When you’ve solved your structural issues, character arcs, and plotting problems, I will ensure that every word in your manuscript serves your story.
I’ll read your manuscript for rhythm and clarity of language, while safeguarding your voice at all costs. All changes will be made via track changes, within the manuscript, allowing the writer to confirm or reject each change on a case by case basis.
$.03/word
CONTACT
03
10 x $10 sample edits
I offer sample edits for writers who want a little more insight into how I work before embarking on a larger project. While sample edits can’t really reflect the breadth of a developmental edit, they can offer a taste of what the process looks like.
My sample edit package includes 10 pages (roughly 2500 words) for $10 dollars. Edits are made within the document, using track changes, and include a short edit memo that reflects the scale of the work. If we continue forward after a sample edit, that fee will be applied towards the total contracted work.
$10.00/10 pages
BOOK NoW
04
coaching packages
Monthly coaching sessions are meant for writers seeking accountability and editorial support on an ongoing basis. Each package includes regular Power Hours, page reads, and email correspondence.
This is best for writers who need help hitting benchmarks, writing goals, or meeting deadlines. It’s also great for writers who like the idea of getting regular feedback, like they would in a writing group, but who don’t have the time to commit to a critique group, or can’t find a suitable group, themselves.
Packages start at $250/month
Prices vary upon service level
CONTACT
power hour
This one-hour Zoom conference is right for you if you’re still trying to wrap your head around your big idea, or you’re just starting out as a writer.
You may just need a little encouragement, or recommendations for classes or books, or help figuring out how to set reasonable goals. If this sounds like you, book your hour today!
$75 / hour
05
Power Hour
This one-hour Zoom conference is right for you if you’re still trying to wrap your head around your big idea, or you’re just starting out as a writer.
You may just need a little encouragement, or recommendations for classes or books, or help figuring out how to set reasonable goals. If this sounds like you, book your hour today!
$75 / hour
TAKE IT FROM THEM
She worked with what was already on the page rather than trying to her own vision into it.
Sarah took the time to understand the character, and the dramatic structure of the piece, then made thoughtful suggestions that strengthened, heightened and more fully developed the dramatic narrative while still staying true to the play I was trying to write. It was exactly the kind of feedback I was looking for and has been invaluable as I continue moving forward with revisions.
impose
— bob f.
01
Are your prices negotiable?
No. I set my prices in line with the Editor’s Freelance Association. Those rates account for the time, effort, and experience that I pour into my work. You’ve put so much sweat and love into your project – why would you trust your work with an underpaid editor who can’t afford to give you the focus your writing deserves?
02
Do you take payment plans on your editing services?
No. I take fifty percent of the contract to lock you on my calendar, and the remaining fifty percent at the end of the process, when I am ready to deliver your edits and edit memo back to you.
03
How long does it take for you to complete a Developmental or Line Edit?
I guarantee a 30-day turnaround on projects under 100k words. For longer manuscripts, I set longer turnaround times.
04
Do you offer any other services, like beta reads or query package audits?
Not on the regular, but I have been thinking about adding those services. If you’re interested in working with me in that capacity, set a call and let’s figure it out!
05
Do you work with international clients?
Yes, but only in English.
06
I’ve heard about editor scams on social media. How do I know you won’t ghost me or feed my work through AI?
I offer all prospective clients a proposal to set scope and expectations, and I follow that with a contract (written by an actual lawyer who works in the field) that protects us both from bad behavior. Both my proposal and my contract include language to assure that neither one of us uses generative AI.
07
So you don’t work with people who use generative AI?
Never ever ever and fuck that.
08
Wait, that’s some strong language.
Yes it is, because robots don’t have feelings.
09
I have feelings, though. How do you talk to your clients?
My job is to make you feel even more excited after I’ve given you notes than you did way back when you first had the great idea to write a book. I will never tell you something isn’t working without telling you what is working, and I will never point out a problem without suggesting actionable solutions. I know what kind of feedback is valuable, and what kind of feedback is not, and how writers are just one handful of raw feelings dressed up in a trenchcoat, because I’m a writer, just like you.
Let’s give your story the attention it deserves.
